“If you were ever inclined to believe that the saxophone is not a serious musical instrument, then the Alliage Quintett will rapidly dispel the idea.”

— Advertiser Adeleide

“[Sabine] Meyer and the quintet impressed with their cohesive blend, crystalline articulation, beguiling range or instrumental colours and deep understanding of musical structure.”

— The Australian

“Dukas’ Sorcerer’s Apprentice, Stravinsky’s Firebird, and Bordin’s Polovtsian Dances had the audience smiling as the concert evolved. Storms of applause at the end of the night brought the musicians back for a rousing arrangement of America, another highlight of a special concert.”

— Newcastle Herald

“They are exceptional players in every respect, with virtuosic technique, admirable ensemble skill and a notable range of tone colours…There were moments of reflection and charm, but more than anything there was a super abundance of life and energy.”

— Advertiser Adeleide

“ The musical level of the Alliage is phenomenal and creates a listening pleasure par excellence.”

— Pizzicato

“ What they are really doing is fantastic pioneer work on their instrument. In the history of the violin, for example, it was Paganini that made the violin into what it is today. And I think we can say that the Alliage have accomplished something with their saxophones that nobody else to date has.”

— Joseph Lendavy about the Alliage on WDR 3

“ The saxophonists managed not only to sound like an orchestra, but also like one instrument.”

— Schwäbische Post

“Four saxophonists and one pianist bring plenty of life to the Paris of the Belle Epoque…played with verve and virtuosity.”

— Deutschland Radio

“Romantic richness of sound, feathery rhythms, and enormous brilliance.”

— Waldecker Allgemeine

“The Alliage Quintet was irresistible and immediately captivated the audience.”

— Stuttgartner Zeitung

“The authenticity of the musical passion of the Alliage Quintet was unmistakable.”

— Westdeutsche Allgemeine Zeitung

“What the musicians brought forth in terms of opulent sound colors, in captivating oriental magic and infatuating sensual sounds had a fascinating storytelling power and the glory of the glittering saxophone and piano nuances. It was fantastic how the saxophone colors blended together and how the pianist played her part with a powerful touch.”

— Badische Zeitung

“The ensemble dazzled in every respect at the highest level.”

— FonoForum

“Nicolai Rimsky-Korsakov was a master at instrumentation. Yet he did not like the brand-new saxophone. Perhaps the Russian romantic would have changed his mind in face of the performance of the Alliage Quintet?”

— Rondo

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“True mastery—already the introduction to the evening turned into an emotional and intoxicating listening experience: powerful, with total commitment and orchestral opulence.”

— Kölner Stadt-Anzeiger

“The Alliage sounded truly like a small orchestra.”

— Münchener Merkur

“Operatic classics presented in a new guise: witty, moving and performed with mastery. Four fantastic saxophonists replace with ease an entire opera orchestra.”

— WDR3

“And if in the tuttis one was amazed about an almost symphonic sound, the musicians also adhered to voice leading principles, allowing them to produce from their instruments a variety of timbres that ranged from a velvety stalking flute to a brassy instrumental tone.”

— Kölnische Rundschau

“Here again though, the playing is stunning and the four saxophonists blend beautifully. Time and again one hears a passage written for other instruments and the players here make it sound as if it was meant to be played by four saxophones.”

— Musicweb.uk.net

"This is a very pleasant program. I have listened to it many times, both as "background" music and with my full attention, and recommend it to anyone who likes these works in their original guise."

— www.sa-cd.net

“…moments of pure delight.”

— Early Music America

“…quartet playing of a somewhat different type... simply brilliant playing, and also the Schumann unfolded… with a unique, in no way simply exotic, but lightly melancholy sounding charm.”

— Partituren

SACD "Their playing of both pieces is natural and idiomatic and you never feel that they are struggling to re-invent the music in its new guise."

— www.music-webinternational.com

"There is some stunning saxophone playing on the disc, and these arrangements can be pure fun, when the arranger is not taking things too seriously."

— www.musicweb.de

"A collection of highlights... entertaining, humorously written music with depth ... A fascinating, homogeneous sound culture, and a thrilling joy of music making turn the Alliage Quartet, that is this CD, into an experience.”

— Hessischer Rundfunk

"Let the heart of every opera fan beat faster... music lovers are almost hypnotically pulled along by the familiar melodies which are presented in completely unusual colors and with warmly felt emotions.”

— Rohrblatt

“Best of the opera literature.”

— Ensemble

“Sometimes four saxophones and one handful of catchy opera phases are enough to startle every opera curmudgeon…enjoyment and amazement .. one needed no tuxedo or opera glasses, just a good mood.”

— Rondo